
Abbey Lincoln : Straight Ahead
SKU PPAN CJS9015
Product Details
UPC: PPAN CJS9015
Artist: Abbey Lincoln
Title: Straight Ahead
STEREO RECORDING
AAA Analogue
This is one Abbey Licoln's greatest recordings. It is a testament to the credibility of her very honest music (and her talents)that Lincoln's sideman on this date is the immortal tenor saxophonist Colman Hawkins who takes a memorable solo on "Blue Monk", Eric Dolphy on flute and alto, trumpeter Booker Little (whose melancholy tone is very important in the emsembles), pianist Mal Waldron and drummer Max Roach. Highpoints include "When Malindy Sings", "Blue Monk", Billie Holiday's "Left Alone" and "African Lady".
Abbey Lincoln and Max Roach were married in 1962, an association that lasted until 1970. They worked together for a while but Licoln (who found it harder ti work in Jazz due to the political nature of the some of her music) became involved in acting and did not record as a leader during 1962-72. She finally recorede for Inner City in 1973 and gradually became more active in Jazz. Her two Billie Holiday tribute albums for Enja (1987) showed listeners that the singer was still in her prime and she has recorded several excellent sets for Verve in the 1990's.As she puts so much thought into each of her recordings, it is not an understatment to say that every Abbey Licoln set is well worth owning.
Personnel: Abbey Lincoln - Composer,Vocals / Art Davis - Bass / Walter Benton - Saxaphone / Colman Hawkins - Tenor Saxaphone / Eric Dolphy - Alto Sax, Flute, Reeds / Booker Little - Trumpet / Max Roach - Drums / Roger Saunders/Robert Whitley - Congas / Max Waldron - Piano / Julian Priester - Trombone
Tracklisting:
Side A: 1.Straight Ahead 2.When Malindy Sings 3.In The Red
Side B: 1.Monkery's The Blues (The lyric version of Blue Monk) 2. Left Alone 3.African Lady 4.Retribution
Label: Candid
Cat No: CJS9015
Format: 1XLp 180g Standard Sleeve
Released: June 2005
Remasterd by: Ray Staff at Alchemy Studios, Soho, London U.K
Recorded : Febuary 2nd 1961 at Nola Penthouse Studios, New York U.S.A
Session supervised by: Nat Hentoff