The Clash – The Only Band That Matters (Japan Edition)
Label:
Coda Publishing – CRLVNY 014
Format:
Vinyl, LP, Limited Edition, Unofficial Release, Inca Gold Swirl Vinyl
Country:
Europe
Released:
Genre:
Rock
Style:
Punk
Tracklist
A1 London Calling 03:13
A2 White Man Of Hammersmith Palace 04:41
A3 Tommy Gun 02:59
A4 White Riot 02:09
A5 English Civil War 02:43
A6 I Fought The Law 02:24
A7 Complete Control 03:12
B1 Clash City Rockers 03:46
B2 The Bank Robber 03:40
B3 Train In Vain 03:38
B4 The Magnificent Seven 05:53
B5 Rock The Casbah 01:45
B6 Should I Stay Or Should I Go 03:06
Appearing on delicious gold-coloured vinyl, "The Only Band That Matters" offers a snapshot of the Clash at their raucous live best. The set draws on an archive of live shows that were originally broadcast live on various American radio stations between 1979 and '83. While many of the recordings seem raw and unpolished, it only adds to their appeal. On side one you'll find a string of powerful renditions of stone cold classics such as "White Man", "I Fought The Law" and "White Riot", while side B features some killer versions of the band's more dub and disco influenced later tracks. The 12"-mix length version of "The Magnificent Seven" and full-throttle romp through "Rock The Casbah" are particularly potent.22.50
Label:
Coda Publishing – CRLVNY 014
Format:
Vinyl, LP, Limited Edition, Unofficial Release, Inca Gold Swirl Vinyl
Country:
Europe
Released:
Genre:
Rock
Style:
Punk
Tracklist
A1 London Calling 03:13
A2 White Man Of Hammersmith Palace 04:41
A3 Tommy Gun 02:59
A4 White Riot 02:09
A5 English Civil War 02:43
A6 I Fought The Law 02:24
A7 Complete Control 03:12
B1 Clash City Rockers 03:46
B2 The Bank Robber 03:40
B3 Train In Vain 03:38
B4 The Magnificent Seven 05:53
B5 Rock The Casbah 01:45
B6 Should I Stay Or Should I Go 03:06
Appearing on delicious gold-coloured vinyl, "The Only Band That Matters" offers a snapshot of the Clash at their raucous live best. The set draws on an archive of live shows that were originally broadcast live on various American radio stations between 1979 and '83. While many of the recordings seem raw and unpolished, it only adds to their appeal. On side one you'll find a string of powerful renditions of stone cold classics such as "White Man", "I Fought The Law" and "White Riot", while side B features some killer versions of the band's more dub and disco influenced later tracks. The 12"-mix length version of "The Magnificent Seven" and full-throttle romp through "Rock The Casbah" are particularly potent.22.50